Roger,
I can't say I've heard of many of these things with exception of the turntable. A little sad I know.
After a little research, it seems like you have a pretty good set up. I was getting hooked on the distortion capabilities of the morely pedal.
Is that what they use for Beverly Hills by Weezer?
Synthesizers
Weezer ? I wouldn't know. Carlos Santana, Jimmy Page, etc used my set-up. Its a classic late '60's thing.Brent wrote:Roger,
I can't say I've heard of many of these things with exception of the turntable. A little sad I know.
After a little research, it seems like you have a pretty good set up. I was getting hooked on the distortion capabilities of the morely pedal.
Is that what they use for Beverly Hills by Weezer?
I then throw in a 3-5 millisecond delay, a phase shifter/chourus/reverb.
I love the warmer "tube" sound, from an era where analog recording quality was peaking. A lot of Mo-Town and Rock records were very carefully produced.
The ARP was a smaller competitor to the Mini Moog. IIRC Johnny Winters "Frankenstein" (Circa 1973) had an ARP in it.
I like the p-B11 resonance peak at 50 KV acceleration. In2 years we'll know.